Elijah Botkin
01.12.2022
Elijah Botkin graduated from Northeastern University in 2015 with bachelor’s degrees in Music History & Analysis and Mathematics. During his time at Northeastern, Elijah founded and directed the Northeastern Madrigal Singers; was President, Bass Section Leader, and Assistant Director for the NU Choral Society; and sang with and arranged for the award-winning a cappella group Distilled Harmony. In 2015, Elijah won the award for Outstanding Arrangement for his arrangement of Distilled Harmony’s quarterfinal-winning set in the International Championship of Collegiate A Cappella. In the same year, his arrangement of “Nothing Feels Like You” by Little Mix also won a CARA (Contemporary A Cappella Recording Award) for Best Mixed Collegiate Song. In 2014, Elijah was granted the Gideon Klein Award in order to write his composition The Closed Town, which was premiered by the Northeastern University Chamber Choir in April 2015. Currently, Elijah continues to direct the NU Madrigals and serves on the Board of Trustees for Chorus pro Musica. He also sings with the Boston-based chamber choir Carduus and serves as their Treasurer and Business Manager.
Ebotkin@revels.org
Phone 617-972-8300 ext 404
News & Reviews
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Chorus Auditions for The Midwinter Revels: A Celebration of the Solstice
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Revels Spring Sing Artist Spotlight: Dr. Kathy Bullock
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Common Pursuits in Different Suits
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Revels, Inc. Names Elijah Botkin as New Music Director
Boston Globe Review: The ‘Christmas Revels’ celebrates a new direction
Behind the Scenes at Revels
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Artist Spotlight: Ken Field
Volunteer Spotlight: Haley Fisher
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Volunteer Spotlight: Rachel Grygorcewicz
Volunteer Spotlight: Nick Browse
Volunteer Spotlight: Ross Hall
Volunteer Spotlight: Harvey Cohen
Volunteer Spotlight: Cathie Ghorbani
Volunteer Spotlight: Mari Young
Volunteer Spotlight: Julie Smith
David Zooms to Perkins
Volunteer Spotlight: John Recroft
MAYDAY! MAYDAY! MAYDAY!
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BWW Review: THE CHRISTMAS REVELS: A Long Tradition of Community Forged Through
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Thanksgiving
Solstice Duality
Happy Spring!
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Just Add Audience
The Longest Day
A Magical Experience: The Making of a CD
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The Master of the Revels
The Solstice Stands Revealed
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Striding Arches
Moonlighting with Shakespeare
What Blizzard?
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A Music Director Reflects
Fenway’s Ritual Earth
Welcome to Our New Music Director
Reflections on Malibu
‘Christmas Revels’ finally makes it to Wales
Christmas Revels – Looking Back and Looking Forward
Dylan Thomas: the intersection where poetry and drama meet
Revels Music Director George Emlen Announces His Retirement
Giving Voice
A Revels Director in Wales
Summer solstice: the year’s circus act
The Boston Globe profiles harpist Maeve Gilchrist and Revels FRINGE
Reporting on Education at Revels
The Great Flying Machine Race
The Wheel of the World
What’s Your Version of the Revels Elephant?
Farewell from Steve
Summer Camp
Fuse Theater Review: The Christmas Revels – Charming English Music Hall Edition
The Boston Globe Review: For Christmas Revels, a welcome return to Victorian
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TAB Newspapers Theater Review: Revels transports audiences to Victorian England
The Crystal Palace
Don’t Blame Persephone
From the FRINGE: Who’s Maeve Listening to?
Solstice Fires
Patriot’s Day – My Favorite Holiday
A Forum on Arts Funding
Spring Forward
The Itinerant Musician
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